In Dreamed Landscapes, the horizon is not a fixed line or a real place. It’s a space remembered, imagined, or felt. These paintings are not about recording an exact view, but about how landscapes exist in our memory—blurred, emotional, and often uncertain.

Familiar shapes appear: lines of trees, faraway hills, water reflecting light. Yet they shift and fade, slowly turning into abstraction. The brushstrokes build up in layers, added and changed through an intuitive process. Each layer responds to the one before it, allowing the image to appear gradually, as if it’s being recalled from a dream.

The paintings explore the line between what is real and what we remember. They suggest how places change inside us—how details disappear, but feelings remain. Each work becomes a kind of mental landscape, shaped as much by emotion as by sight.

Like the Nebulae series, these paintings are created through a slow, layered dialogue with the surface. Every stroke carries a decision—to stay, to shift, or to vanish. It’s a process of discovery, where the final image is not planned, but found.